Interview with Floris Koumans by Hilda Bouma
A brother
After high school, Floris Koumans (53) had two options, either employed or studied. But because he didn’t want either and couldn’t pursue the other, he left for Paros in the Aegean Sea. I became a poverty-stricken fisherman on a Greek island. Lying in a bay near a campfire – it was March – he thought he had been happiest as a child when he could build huts and think of new things. Suddenly he knew: He had to become an entrepreneur. Setting up innovative businesses, and when they were up and running, starting the next one. That’s how he could make his dreams come true.
Geometry of life
When they met again a few years ago, Koumans was impressed by his art. ‘Tim works on the basis of hidden geometry. That is the geometry of life, the mathematical proportions that determine everything in nature. It is also called sacred geometry. Think of a severed nautilus shell, which is mathematically perfect. But you also see it in crystals.’
With one dolphin, made of wood, Boin slowly transforms the natural shape of the marine mammal into geometric planes. The other dolphin is entirely made of flat glass in stainless steel. It’s hand polished. Every piece of glass in it consists of layers with a nanocoating through which they reflect. Tim plays with the light.’ His meeting with Tim Boin was one of the reasons to rearrange his life, says Koumans. ‘I was always on the road. When the wind blew, I wanted to surf, but I didn’t have time for it. But hey, I was free, right? Apparently I wasn’t.’